Self Defense Secrets of the Martial Art of Sensokan Aikijujutsu
Categories Self Defense

Self Defense Secrets of the Martial Art of Sensokan Aikijujutsu

In the case of self defense, you may have to learn to acknowledge all the probabilities you can use to your advantage. Clothing, hair, jewelry, all will be used against your opponent. What some may call “dirty fighting” we call smart fighting!

Very first thing you must do could be very quickly size up your opponent. Search for vulnerable areas similar to footwear. Thankfully on account of the shortage of fashion most men have today, you’ll find a whole lot of them wearing flip flops. Flip flops leave the feet unprotected. This is a wonderful opportunity to wreck the feet by stamping down on the toes and instep of the foot together with your heal. Along with injury, naturally if you stamp down on someones foot, they instinctively grab for the foot, leaving them off balance, ideal for sweeping someone right down to the bottom.

In case your attacker is wearing a loose shirt or jacket, make the most by pulling the item over their head. This leaves them blind to where you might be. At this point you possibly can go to their rear to inflict more damage. In the event that they are wearing loose shorts or jogging pants, pull their pant down. It will cause them to succeed in right down to retrieve their pants. naturally this leaves them vulnerable and a great goal for upward knee strikes.

In the event that they are wearing a tie, this is a wonderful noose for strangling your attacker. You may also use the tie to wrap across the neck as you go to the rear and take them right down to the bottom.

Just like the tie, long hair is a wonderful control device. Grab hold of the hair and pull within the direction of your alternative. In some ways hair is best than the tie because there’s pain involved. You need to get a great hold of a whole lot of hair so you simply don’t pull the hair out of the pinnacle.

In the event that they are wearing earrings, be happy to tear them from the ears. It will cause pain and produce the attackers mind to his ears for a moment leaving you free to maneuver to a special area and cause more damage. Anytime you possibly can lead someones mind within the direction you wish, you might be in charge of the situation.

The purpose of this short article is to make you aware that there many things that will be used against someone that might be ignored by the common person. Knowing the secrets of Aikijujutsu will end the confrontation quickly and also you might be victorious!

Combat Wrist Locks – Advanced Control Secrets From The Ninja’s Self Defense Art of Ninpo-Taijutsu
Categories Self Defense

Combat Wrist Locks – Advanced Control Secrets From The Ninja’s Self Defense Art of Ninpo-Taijutsu

Wrist locks are a reasonably common self defense technique, especially throughout the grappling or “soft” arts like jujitsu and aikido. Within the Ninja’s self defense art, often called ninpo-taijutsu (or “budo” taijutsu to some), there are some very advanced secrets for gaining maximum control over your opponent together with your wrist locks.

This text takes a take a look at the “anatomy” of the wrist, after which matches this very vital information with the essential locks and jams that the art of Ninjutsu applies to the wrist joint. After reading this lesson, and adding the important thing points to your personal training, you should have the power to extend your control over anyone who’s on the receiving end of considered one of these self defense techniques.

Let me begin by saying that, it’s only natural for a student recent to the art of Ninjutsu, or some other system which employs wrist locks, to deal with what the technique “looks like.” It appears to be easy anyway. The teacher merely grabs the attacker’s hand together with his “this manner,” and does X,Y,Z to the wrist.

But, even when not immediately apparent, the coed will begin to note that she or he is just not getting the identical results because the teacher. Oh sure, they’re “twisting the wrist,” however the opponent is not ending up in the identical place – or doesn’t go down the identical way that the teacher demonstrated. As they progress towards mastery, it is a natural tendency for the advancing student to need to have more of the identical control that his or her teacher does.

And, it’s here that we start a much deeper study of this basic self defense technique.

With regards to learning, teaching, or applying the art of Ninjutsu to any problem or situation, I’m an enormous fan of “strategic considering.” That implies that I step back from the main points and the step-by-step mechanics of the technique, to get an even bigger picture. In other word…

I would like to see the forest that’s comprised of the trees. After which, with this understanding, I can return in and take a look at the main points from an entire recent perspective where each part, piece, or move inside a way – does something specific – and is just not just there because “that is the best way our style does it.”

What this implies in relation to a wrist lock is that this…

What we call the wrist is definitely a group of bones, gaps, connective tissue, and what-not – a group of many various parts which go together to create this thing called a “wrist.”

Now, I do not must be a physician or scientist to grasp that the wrist is a “universal joint,” able to the best range of motion (out of the three joint types within the body). But, even so, the joint itself does have it’s limitations. And, that is where the wrist locking and folding techniques are available in.

I find it helpful, when teaching these advancing concepts to students, to make use of the analogy of the airplane “joystick” almost about the wrist. Because, they’ll each be moved the very same way.

Within the aviation world, they use the terms:

  • Pitch – which is the up/down movement or direction to achieve or decrease elevation.
  • Yaw – the side to side motion or direction, and…
  • Rotation – which after all is the spiral, or spinning of the craft.

And, the wrist may be moved the identical way.

To get this, follow together with me while extending your hand out in front of you. It might be palm up or palm down – but, either way, the palm must be parallel, and even with the bottom.

Now, lift and lower your fingers and hand from the wrist, without moving the forearm. That is “pitch.”

After leveling out your palm again, move your fingers backward and forward, without turning the palm toward the side. That is “yaw.” And eventually…

Simply rotate the hand backward and forward – turn it. That is “rotation.” (You may even find that, unlike the “pitch” and “yaw” directions which may be done “from” the wrist joint itself, “rotation” is definitely done from the forearm.)

What does this must do with joint locks?

The whole lot!

Since you will not be doing a little “thing” called a wrist lock to your opponent’s body. When applying these martial arts techniques, you might be doing “something” to the “structure” of your opponent’s joint – which limits movement and truly has a feedback effect that causes his body to ‘backfire’ on itself!

It’s when you may see beyond the step-by-step movements of your techniques, including the wrist locks, that you’re going to have the option to see that this system is absolutely about hyper-flexing, or extending the joint farther than it’s designed to go! But, to do this, you should know which parts are to be moved, and which parts must be immobilized to get the locking, shearing, and overall controlling effect that you simply’re searching for.

Then, you will have the option to see that the joint locking techniques of ninpo-taijutsu actually benefit from the weakness inherent within the wrist, along the directional lines that I outlined earlier. So…

  • Omote-Gyaku (‘obvious reversal’) is a “rotational-based” wrist lock
  • Hon Gyaku (‘principle reversal’) is a “yaw-based” locking control
  • Take-Ori (‘bamboo-breaking’) is a “pitch-based” reversal, and…
  • Ura Gyaku (‘hidden reversal’) is a mix lock which applies each “rotational” and “yaw-based” force to the wrist.

And, as you progress, you’ll come to seek out that, not only will these techniques be rather more powerful for you, but you may even understand tips on how to apply your personal unique locks which mix two or more of the above directions…

…and even do all three either concurrently, or in succession to maintain your attacker off-balance, confused, and completely under your control!

Bujinkan Ninjutsu: The Art of Breaking Balance within the Ninja’s Self-Defense System of Ninpo Taijutsu
Categories Self Defense

Bujinkan Ninjutsu: The Art of Breaking Balance within the Ninja’s Self-Defense System of Ninpo Taijutsu

Picture a martial arts fight in your mind; what you are prone to “see” are loads of kicks, punches and blocks, perhaps locks and throws, too; but what you’ll likely miss are the underlying principles that make each of those techniques and moves practical and effective. Considered one of the basic principles of Ninjutsu is easy to explain, difficult to perfect, but potentially devastating once it’s mastered: the principle of Breaking Balance, or because it is understood in Japanese, Kuzushi.

Why is it so effective?

Simply answered…

Because breaking balance limits your attacker’s mobility.

So? What’s going to that do for you when he’s attempting to beat, break, or kill you?

Good query.

Listed below are three (of many!) the explanation why balance breaking is vitally vital within the ninja’s self-defense method:

1) Breaking balance severely limits the power of an opponent to defend against a follow-up, possibly conflict-ending counter-attack from you.

2) Breaking balance effectively limits the reactive options, possible defense or counter-attack options, that an opponent might decide to employ.

3) Breaking balance can shock or disorient an opponent right into a momentary lapse of focus, allowing the victim – you – to flee from the situation.

This doesn’t mean that breaking the balance of an opponent is just a set-up for further actions. No, breaking the balance of an opponent can itself be the end-goal of a violent encounter because it might be enough to interrupt the boldness of an assailant, causing them to flee the scene reasonably than you!

Considered one of the interesting things concerning the principal of Breaking Balance is that it underlines the wealthy vein of strategy that runs throughout Ninjutsu. Ninjutsu doesn’t aim to pit strength against strength, reasonably it seeks to undermine the benefits of the opponent and create openings that play to the strengths of the victim. In this fashion, a “weaker” opponent can beat a “stronger” one!

Imagine a thug’s surprise when he finds himself losing control of his own balance and unable to do anything about it as every move he makes brings him closer to defeat!

But how will you break the balance of an opponent?

Imagine that there’s a line drawn between his heels; for those who move him perpendicular to this line, he can be forced right into a desperate backwards stagger, fighting to regain his balance!

Sounds great, huh? But perhaps difficult, too?

YOU can learn this theory and how you can effectively apply it through the study of Ninjutsu. But, within the words of an awesome martial arts master…

“Learning is straightforward, but motion is difficult. And motion is straightforward, but true understanding is difficult!”

The query is:

Martial Arts & Self Defense – Is Your Martial Art Belt Giving You a False Sense of Security?
Categories Self Defense

Martial Arts & Self Defense – Is Your Martial Art Belt Giving You a False Sense of Security?

Simply because the sign on the window of a martial arts school says “self defense,” doesn’t suggest that is what you are getting. Any greater than that coloured sash or belt around your waist means that you’re going to have the opportunity to defend yourself when the time comes!

How can I say this? Easy. I can say it because…

I even have been involved within the martial arts and study of self defense for over 30 years!

I may also say it because, as a former police officer, undercover investigator, and bodyguard, I’ve had to make use of what I’ve learned from various teachers who were purported to be teaching self-defense skills. And, I discovered, through the “school of hard-knocks,” what works and what doesn’t – who was right, and who was stuffed with it!

Let me just say that there’s a huge difference between learning the historical techniques, skills, and lessons which have been passed down from past master warriors, and learning the right way to use those skills to guard yourself from some deranged and/or brutal assailant who desires to beat, break, or kill you. To most, nonetheless, the differences are hard to see. Perhaps that – the ignorance and inexperience of the typical student – is what makes it easy for a so-called self-defense expert to show you the things he does!

Here’s one other example that will convey the concept.

Once I was within the Army, we commonly engaged in training exercises to practice the procedures and tactics that we would wish in an actual war. And, during these exercises – these “play battles” – there would all the time be these fellow soldiers – they’re in every unit – who ran around like John Wayne. They were all the time talking tough, walking around with their chests puffed out, and yelling things like, “Let’s go – immediately!” And, “I’m able to kill a Commie for mommy,” and other such nonsense.

But, do you realize what these guys were doing on the plane that I used to be in, on my approach to the actual thing? They were those crying and praying, and blubbering about being afraid to die.

No duh! We were ALL afraid to die!

The difference is that lots of us had already accepted that this might occur. Once we were on field maneuvers – during training – we focused on getting the job done. As an alternative of running around and attempting to persuade everyone else that we were Rambo or some super-soldier, we did our jobs, trained, and learned from our instructors – especially those who had actually “been there.”

Did we complain about our muscles hurting or the incontrovertible fact that we were training within the freezing rain with a chilly? You bet. But we did it anyway.

Did we complain and want bad things to occur to our leaders because we were crawling within the mud and doing things we either didn’t understand or didn’t need to must do. Absolutely. But, again…we did them.

Unfortunately, many martial arts students do the identical thing. No matter rank, they run across the dojo mentioning the mistakes of others, or showing off their skills – as a substitute of contemplating how those skills would actually fit right into a real attack, against an opponent who wasn’t out of your school or style.

And, as a substitute of avoiding the potential of getting hit, or having sore muscles, or paying for the classes – like those individuals with excuses, just waiting to develop into the following victims – do them. Am I saying you’ve gotten to like all of it? Hell no! In actual fact, I’d think you were nuts should you “liked” getting hit, kicked, or having your joints sheared, etc.

But that is not the purpose of coaching. Identical to my experience within the Army, the purpose of coaching is having to place up with all of those things…and still doing what you’ve gotten to DESPITE them!

Self defense is a mind-set. It is a way of occupied with conflict in a way that:

  1. Acknowledges that danger exists and that you’ve gotten a selection to be a victim or to have the opportunity to cope with it for what it’s – painful and deadly. You haven’t got to love many facets of coaching, any greater than you want paying for automotive insurance. But, should the unthinkable occur, you will be glad you had it!
  2. Assesses the situation in order that the suitable techniques may be used
  3. Applies the principles and ideas of “energy conservation” and avoidance – this implies not fighting in any respect should you haven’t got to. And, should you do, to do the minimum essential to do the least harm and to neutralize the situation with the smallest amount of wear-and-tear on yourself. And…
  4. Considers greater than the situation and recognizes the potential of further conflict or the implications because of this of your actions. Whether from the law, or his buddies on the bar – it’s important to grasp the right way to have the opportunity to cope with the situation you are in, without causing problems with the law or in other areas. It is also the knowledge and understanding that, should you go around showing off your skills -there could also be someone watching who now knows the right way to beat you!

Remember – your belt only says that you’ve gotten learned certain skills. And, whether or not it’s taught in your program or by your teacher, you are liable for understanding the right way to best use those skills against different attackers and kinds of attacks – in a real-world situation.

If you happen to do not know – ask. And, even should you get a solution, ask another person! You wish options, not only skills.

And you should each know your skills AND understand the sensible application of those skills in an actual situation…

  • Under pressure…
  • With only gross motor skills, and…
  • Against someone who’s NOT going to allow you to do it to him if he may also help it!

Don’t fall into the identical trap and “game-playing” that the majority martial artists (including black belt instructors) fall into. Always remember that…

  • It is a self defense situation – not a sparring match with rules!
  • You are going to be up against an experienced attacker who is not going to allow you to do your cool moves on him, and…
  • Your attacker won’t care about your belt, skills, or level of confidence. Because…

…if he’s picked you as a goal – he already thinks he has the advantage!

Wushu Chinese Self Defense Or Performance Martial Art?
Categories Self Defense

Wushu Chinese Self Defense Or Performance Martial Art?

Wushu is the official martial art taught within the People’s Republic of China. Wu Shu (“War Arts”) is practiced by hundreds of thousands in China, and is included as a part of the training for all police and military personnel. Though it’s a type of Kung Fu which has been taught in China for hundreds of years it’s a rigid system, and has no attachment to any of the paranormal beliefs of the past. The federal government is more concern with physical points of the martial art and spiritual beliefs been replaced with propaganda, and political training which take up much of the coed’s training time. When a student will not be participating in political training they are going to participate in group and partner exercises in addition to weapons practice.

Contemporary Wushu was created in 1949 as a part of the communist government’s try and create a national sport, and though the people were greater than blissful with the kinds of martial arts that they had already. All previous types of Kung Fu were outlawed and even the Shaolin monks were greatly restricted. In recent times the federal government has tried to take the politics out of sports, but with limited success due to how repressive the federal government is usually. Still tournaments have been running for the reason that early 1990’s, and the game is practiced outside of China. The 2 Wushu forms which can be practiced are Taulo and Sanda, but neither is suited to self defense.

The hand movements are called Ba Ji, tumbling moves are Di Tang, and Tung Bi is full arm movements. The animal katas are called Xing Yi. The weapon katas for Wushu includes a lot of several types of swords, the nine-section whip, three section staffs, spears, and other ancient Chinese weapons. The central Committee of National Physical Culture must accredited all students and teachers who must embody the ideals of communism. At first glance Wushu looks impressive with a lot of moves and a big choice of weapons in its arsenal to select from in battle. The art would appear to be a superb alternative to review until closer examination. For all its flash this way of Kung Fu lacks substance and won’t rise up in real world conditions.

Taulo is taken into account to be a type of Kung Fu, but is not in any respect like several of the effective martial arts types of the past and is like gymnastics. It’s a degree based systems where points are given out based on performances that may last from two to twenty minutes, and there is no such thing as a contact. While traditional weapons like swords, butterfly knives, and staffs are used they’re light weight versions they usually and the routines are useless in combat. The programs are broken up into barehanded, short weapons, and long weapons portions, but include jumps, flips and other impressive routines. This kind of Kung Fu is totally useless in the case of self defense, but is a superb type of entertainment.

Sanshou or Sanda the Chinese combat sport based off of Chinese boxing, wrestling, and kickboxing. Originally, the military used it as a approach to test martial arts, however it developed into a contest sport within the early a part of the 20 th century. Sanda draws from Lei tai martial arts matches where competitors fought barehanded or with weapons on a high platform. Fights would proceed until death, injury, or one in every of the competitors was thrown off the platform.

In Sanda today a competitor can still win a match by throwing their opponent out of the ring. Striking and grappling are allowed, and it’s way more aggressive than Wushu which it is usually paired with in tournaments in China. The military has their very own version of Sanda, however the sport version restricts a lot of moves including elbow strikes, chokes, and joint locks. When competing internationally Sanda practitioners have fought in lots of style-versus-style competitions against Muay Thai, Karate, and Tae Kwon Do fighters.

Unlike the Japanese art of Jujutsu which is pragmatic Wushu is more about looking good whilst you perform the art. A typical student will do many impressive leaps, back flips, and strikes, but while doing so leaving themselves open to attacks, since the art lacks any real defense. In coping with an armed attacker a Wushu student can be unprepared unless they’re carrying a weapon themselves (it is not practical to hold a Chinese broadsword or spear with you in your morning commute).

If a student of combatives and hand handy self defense was to come across a Wushu student the combatives student may take a couple of initial hits, but would quickly close with the Wushu student, and would throw or grapple them and take control of the fight. If the Wushu student was armed with any of their traditional weapons they might find themselves disarmed with their weapon within the hands of the fighter who used practical self defense techniques. In the long run Wushu is a performance art, and at best a combat martial art that may only get you in trouble in a street fight. The art even has its critics amongst modern practitioners of Kung Fu who say the federal government has stripped all tradition and practically from the art.

This manner of Kung Fu is a sport and should not be relied on for self defense. It also needs to be noted that Colonel Fairbairn who fought in 600 non-training fights during his time as a police officer in Shanghai China made an intensive study of many Chinese martial arts including Kung Fu didn’t incorporate them in his many books on fighting and self defense. Fairbairn would base his many books on his experiences, and what he learned on the Kodokan while earning his black belt in Judo. The lesson is winning the fight is more vital then looking good and losing the fight.

Krav Maga – From Mean Street Self Defense to Strip Mall Martial Art
Categories Self Defense

Krav Maga – From Mean Street Self Defense to Strip Mall Martial Art

At first most martial arts styles start out of necessity of as a type of self defense that is easy and effective. Nevertheless, over time things change and the unique idea is becomes corrupted. Krav Maga began off as a rough and tumble type of street fighting, but like most arts; it has grow to be “civilized”. Like with other martial arts Krav Maga’s own commercialization and recognition has grow to be its downfall.

They are saying necessity is the mother of invention and there isn’t a higher example of this than on the planet of self defense. Krav Maga was no different, it was born out of a must keep the peace and survive the brutal streets of Bratislava, Krav Maga’s founder, Imi Lichtenfield grew up on theses streets during harsh times. He knew what all street fighters know; combat sports aren’t self defense. Trained to be a boxer, he learned that if you should survive a fight, you could have to go all out and take down your enemy hard and fast.

Imi Lichtenfield was born in 1910 in Hungry, but grew up in town of Bratislava, Slovakia. He was a talented athlete who excelled in gymnastics, boxing, and wrestling. He received his first self defense training from his father Samuel, a 30 yr veteran of the local police force who had a fame as tough, but fair man. Through his profession, Samuel took down a number of the city’s hardest criminals. He taught other officers what he learned at his gym “Hercules.” On the gym officers learned each the best way to fight and more importantly, how and when to use force.

Though the world in 1930’s Hungary things looked bleak. The prosperity after World War I gave solution to global economic crisis and political upheaval. The banners of communism and fascism were flying around Europe and governments were powerless to stop armies of thugs from imposing their will on their communities. While most individuals know in regards to the battles of World War II, the fighting really began within the streets. Before the Nazis over took the country, their militia groups and gangs began terrorizing Jews and anyone else they saw as an enemy.

To guard his community in Bratislava, Imi began fighting the thugs within the streets. He quickly became aware that combat sports like boxing were inefficient and almost useless in a street fight. Within the boxing ring you never should cope with multiple fighter or worry about someone picking up a broken bottle, but in a street fight that happens on a regular basis. Imi learned fast and these real street fights would help him develop the principals of Krav Maga. As the road fights was full fledged war, Imi decided to flee to the Middle East, only to have a latest fight on his hands.

Imi left Nazi occupied Slovenia in 1940 and in 1942 he arrived in Palestine where Jews were fighting to make Israel an independent state. The fighting was all about close combat and guerrilla warfare. Imi shared what he knew with local paramilitary groups. Presently he was exposed to the British hand-to-hand combat system developed by police officer William Fairbairn and others. Fairbairn’s system was a group of easy techniques that could possibly be utilized by each law enforcement officials and soldiers. Once more Imi learned well and when Israel became a nation he would spend the following 20 years teaching Krav Maga to the soldiers of the nation’s armed forces.

Eventually civilians began learning the combat martial art for their very own protection, but because it became more commercialized, it stopped being a practical type of self defense and more like a “modern martial art”. Krav Maga was first a philosophy that permit a fighter cope with any situation. Nevertheless it wasn’t long before the strategy of coaching modified and other people began training for specific situations.

At first Lichtenfield knew first hand that to survive a street fight you wish a primary set of techniques and techniques that will be applied to any situation. Imi Lichtenfield taught his students to do whatever was essential to survive, not play games. There have been no hand wraps or spandex. He understood that if you should make it home you should have a set of tools that may work anytime in any situation. In a street fight nothing is for certain and even the perfect combatives training is simply a start line. Don’t think that if you could have learned Krav Maga that you just shall be ready for anything, since it is simply the start. If you should win in a detailed combat situation you should keep things easy and effective, so do not get bogged down by to much information.

Today popular Krav Maga has been described as from the whole lot to a type of Judo to a Mixed Martial Art. It has left the road and brought on the roll of a martial art, using sporting techniques misapplied to self defense situation. Students wear hand wraps, boxing gloves, have belt ranks and are taught situation specific defense techniques, similar to those taught within the overwhelming majority of martial arts studios. The one thing separating popular Krav Maga from the remainder of the pack is the name and the marketing. They’ve the story right, however the product is not any different. Fortunately there are a couple of proponents of the old ways still about. I hope for his or her sake and the legacy of Imi Lichtenfeld, their voice is heard.